Tuesday, October 13, 2026 at 7:30 PM
Weill Recital Hall
Features two world premieres by Stella Sung and Rodney Lister, a U.S. premiere by Nansong Huang and Works by Chen Yi, Mary Lou Williams, Prokofiev/Pletnev.

New York, NY — Forte International Group presents pianist Chengcheng Ma in an evening celebrating cross-cultural dialogue through piano music on Tuesday, October 13, 2026 at 7:30 PM at his Carnegie Hall debut at Weill Recital Hall. This appearance follows his full-house New York City solo recital debut at Merkin Hall, Kaufman Music Center, in January 2026. The program features new works and established masterworks for solo piano and two pianos. Ma is joined by distinguished guest pianists Boaz Sharon, Rodney Lister, EunAe Lee, and Yimiao Fang. The program includes two world premieres by Stella Sung and Rodney Lister, the U.S. premiere of Nansong Huang’s Reflections on Dunhuang, and works by Chen Yi, Mary Lou Williams, Prokofiev/Pletnev.

The performance takes place at Weill Recital Hall at Carnegie Hall, 57th Street and Seventh Avenue, New York, NY. Tickets start at $30, with student and senior discount tickets available at the box office. Visit www.carnegiehall.org for tickets.

 

PROGRAM

Nansong Huang; Reflections on Dunhuang, Piano Suite for solo piano (U.S. premiere); Chengcheng Ma, piano
Mary Lou Williams; Offertory Meditation; Chengcheng Ma, piano
Rodney Lister; My Time with the Cholmondeleys for two pianos (commissioned work; world premiere); Rodney Lister and Chengcheng Ma, pianos
Stella Sung; The Persistence of Time for two pianos (commissioned work; world premiere); EunAe Lee and Chengcheng Ma, pianos
Chen Yi; China West Suite for two pianos; Yimiao Fang and Chengcheng Ma, pianos
Sergei Prokofiev, arranged by Mikhail Pletnev; Cinderella Suite for two pianos; Boaz Sharon and Chengcheng Ma, pianos

“In creating this program, I wanted to bring Chinese, American, and European musical voices into dialogue, allowing each tradition to retain its identity while illuminating the others. These works also reflect my own path – from China to the United States, from classical repertoire to contemporary commissions and jazz – and the artistic relationships that have shaped this concert.”    – Chengcheng Ma

BIOS

Pianist Chengcheng Ma has appeared as a concert pianist, concerto soloist, orchestral pianist, collaborative artist, and interpreter of contemporary music, with performances across the United States, Europe, and Asia. He has performed with orchestras including Sinfonia da Camera under Maestro Ian Hobson, Brookline Symphony Orchestra under Maestro Andrew Altenbach, Boston University Symphony Orchestra under Maestro James Burton, and Hebei Province Symphony Orchestra under Maestro Peng Tuo. His concerto repertoire includes major works by Beethoven, Mozart, Tchaikovsky, Ravel, Brahms, and John Corigliano.

Boaz Sharon, Professor of Piano at Boston University, is an internationally known pianist, recording artist and international competition juror.

Rodney Lister is currently on the faculty of Boston University and the Preparatory School of the New England Conservatory, where he teaches composition, theory, and chamber music and is co-director of the annual contemporary music festival. His 2025 Métier choral album Of Mere Being, features Chengcheng Ma as pianist on 21 works. He will join Ma in the world premiere of his commissioned two-piano work at this concert.

Dr. EunAe Lee is an award-winning Korean pianist. Throughout her career, she has delivered deeply engaging solo recitals and appeared with leading orchestras.

Yimiao Fang is an active classical pianist, piano educator and harpsichordist who has given performances and lectures around the world. Ms. Fang is a current doctoral candidate in piano performance at The Hartt School, and graduated from Manhattan School of Music in New York City for both her undergraduate and master’s degrees in piano performance.

Stella Sung served as the first Composer-in-Residence for the Orlando Philharmonic Orchestra (2008-2011), and was one of the five composers nationally selected for a “Music Alive” award, a three-year award that allowed Dr. Sung to serve as Composer-In-Residence for the Dayton Performing Arts Alliance (2013-16), Dr. Sung is currently Composer-in-Residence for Dance Alive National Ballet (Gainesville, FL).

Chen Yi is a prolific composer who blends Chinese and Western traditions, transcending cultural and musical boundaries.

Nansong Huang graduated with a Doctor of Musical Arts degree in Piano Performance and Pedagogy at Northwestern University, and he is currently a full-time member of the piano faculty at Xi’an Conservatory of Music.

Mary Lou Williams (1910–1981) was one of the most influential American jazz pianists, composers, and arrangers of the twentieth century.

Forte International Group is a global cultural enterprise dedicated to fostering artistic exchange between China and the United States. Through concert production, competitions, and international collaboration, the Group provides transformative opportunities for the next generation of artists and supports a global network of performers, educators, and institutions.

Presented by Live the Spirit Residency, the Englewood Jazz Festival returns to Chicago’s historic Hamilton Park from September 17-19, 2026. This year’s festival celebrates the next generation of creative musicians while honoring the centennial legacies of Oscar Brown Jr., John Coltrane, and Miles Davis. All music performed will be original compositions by the featured artists. 

Festival showcases performances by Julius Tucker, Live the Spirit Residency Expanded Ensemble, with Dee Alexander, Jeremiah Hunt, the Young Masters, Ernest Dawkins New Horizons Ensemble Redux, Maggie and Africa Brown, Dakarai Barclay, Ryan Bills and Ben Crino Quartet, New Continuum Ensemble led by Marquis Hill featuring Braxton Cook and more

Founded in 1999 by acclaimed saxophonist and composer Ernest Dawkins, the Englewood Jazz Festival has become one of Chicago’s premier cultural events, serving as a vital platform for creative expression, artistic excellence, community engagement, and cultural unity. Through free performances, educational activities, and intergenerational collaborations, the festival continues to showcase the rich tradition of (Jazz), Great Black Music while inspiring new generations of artists and audiences across Chicago.

“The Englewood Jazz Festival has always been about bringing people together through original music, honoring the masters who came before us while creating space for the next generation to find its own voice. As we celebrate 27 years, we’re excited to welcome our community for a weekend that reflects the creativity, resilience, and collective spirit that make Chicago one of the great jazz cities in the world.” – Ernest Dawkins, Festival Founder
The weekend will feature performances by both jazz legends and next-generation artists. Events take place indoors on Sep 17 and 18 and outdoors on September 19 rain or shine, moving indoors in case of inclement weather. Some seating is provided, but attendees are advised to bring their own chairs, blankets, picnics, and an appetite for the kind of music that uplifts and transforms the human spirit! Further information and full schedule is available at www.englewoodjazzfestival.org or by calling (773) 789-4227.

Additionally, as part of this event, to honor those whose work has helped shape and strengthen the foundation of jazz in Chicago, the annual Spirit of Jazz Awards will be presented to recipients to be announced.

Festival Schedule:

  • Thursday, September 17 (indoors – Hamilton Park Cultural Center)
    5:30 pm: Julius Tucker Trio
    6:30 pm: Live the Spirit Residency Expanded Ensemble, featuring Dee Alexander: Composer Ernest Dawkins debuted his major jazz work Fannie Lou Hamer: No One Could Contain Her during the UNESCO International Jazz Day celebrations. The piece fuses spirituals, jazz improvisation, and spoken word to recount her historic civil rights journey.
  • Friday, September 18 (indoors – Hamilton Park Cultural Center)
    5:30 pm: Ernest Dawkins’ New Horizons Redux
    6:30 pm: Jeremiah Hunt Quartet
  • Saturday, September 19 (outdoors Hamilton Park)
  • 12:00 to 1:00 The Young Masters under the direction of Ernest Dawkins
  • 1:10 to 2:10 Dakarai Barclay Quartet – all original compositions celebrating the lives of Miles Davis, John Coltrane and Sonny Rollins. 
  • 2:15 to 3:15 Ryan Bills & Ben Crino Quartet 
  • 3:20 to 3:30 Spirit of Jazz Awards
  • 3:35 to 4:45 The two Brown Sisters – Maggie and Africa Brown tribute to their father Oscar Brown Jr.
  • 5:00 to 6:00 New Continuum Ensemble led by Marquis Hill featuring Braxton Cook

         Media sponsorship provided by WDCB.

 
Merkin Hall, NY: March 3, 2026
New York, NY — On Tuesday, March 3 at 7:00 pm, New York-based Modus Operandi Orchestra (MOO) moonyc.org invites audiences to their 5th concert of music at Merkin Hall. This upcoming concert, conducted by Maestro Justin Bischof, will feature a contrasting program of works by master composer Johannes Brahms and by Boston based award-winning composer Rachel Burckardt.

Works will include Brahms’ iconic Tragic Overture and Symphony No. 4, as well as world premieres of Burckardt including 3 Psalms and October Fanfare.

Born and raised in Manhattan, the Bronx and Mt. Vernon, Rachel Burckardt  (woodharbormusic.net) is a prolific composer. Currently based in Boston, she blends over 45 years both as a church musician/composer and  a civil engineer involved in a variety of projects focusing mostly on transportation, including railroads, transit, and roadways.

According to Modus Operandi Orchestra’s founder and artistic director Justin Bischof, (justinbischof.com)

“This program is exciting because it places Brahms’ profound emotional architecture alongside the living, breathing voice of Rachel Burckardt, reminding us that the symphonic tradition is not a museum, but a living art form.” Bischof adds: “Audiences will experience both the timeless power of Brahms and the excitement of hearing new music born in our own time, performed by artists who believe deeply in sharing discovery, beauty, and meaning on stage.”

COMPLETE PROGRAM:
J. BRAHMS – Tragic Overture
J. BRAHMS – Symphony No. 4
R. BURCKARDT – October Fanfare (world premiere)
R. BURCKARDT – Aire Mount Auburn (world premiere of this adaptation)
R. BURCKARDT – Variations on Afternoon Light (world premiere)
R. BURCKARDT – 3 Psalms (world premiere)

The concert will take place at the Merkin Hall, Kaufman Music Center, Abraham Goodman House, 129 West 67th Street, New York, NY. T 212 501 3330. Tickets are priced between $40 and $75 and can be purchased through www.kaufmanmusiccenter.org/mch/event/modus-merkin-the-music-of-brahms-burckardt/

For more information about MOO, please visit moonyc.org.

Thursday, January 8, 2026 at 7:30 PM
Merkin Hall, Kaufman Music Center
Features works Chopin, Liszt and by living composers
Ketty Nez (NYC Premiere), Zhao Zhang and Rodney Lister

New York, NY — Forte International Group is proud to present a solo recital by pianist Chengcheng Ma (chengchengma.com) on Thursday, January 8, 2026 at 7:30 PM at Merkin Hall at Kaufman Music Center. The performance features the New York Premiere of suite française (2024) by composer Ketty Nez, alongside masterworks by Chopin, Liszt, and a revival by Rodney Lister, and concludes with Zhao Zhang’s electrifying Hua Yi Dance for piano four-hands with guest pianist Yimiao Fang.

This wide-ranging program highlights Ma’s dynamic artistry and deep commitment to championing contemporary music, presenting ambitious repertoire that bridges centuries, cultures, and musical aesthetics.

The performance takes place at Merkin Hall, 129 West 67th Street, New York, NY. Tickets are $25, with discounted $10 student tickets available by calling the box office at 212-501-3330. Visit www.kaufmanmusiccenter.org for tickets.

PROGRAM HIGHLIGHTS

New York Premiere — Ketty Nez: suite française (2024)
Inspired by the ornate keyboard language of French Baroque master François Couperin, Nez’s suite française is a vibrant, modern reflection on Baroque elegance, interlacing Couperin’s motifs with her own rich harmonic and textural imagination. Following its world premiere in Bismarck, ND, and Boston premiere at First Church Boston, Merkin Hall hosts the work’s highly anticipated New York debut.

Chopin: Twelve Études, Op. 10
Among the most iconic works in piano literature, Chopin’s Op. 10 Études fuse revolutionary technical design with profound poetic expression. Ma performs the complete set, showcasing his broad tonal palette and expressive virtuosity.

Rodney Lister: Many’s the Time I’ve Seen Her Nude at the Piano (1990)
A dazzling, virtuosic “modern toccata,” Lister’s piece—rarely performed due to its staggering difficulty—receives a brilliant revival through Ma’s advocacy. Lister, who wrote the work for pianist Kathleen Supove, praises Ma for bringing the piece vividly back to life.

Liszt: Après une lecture du Dante: Fantasia quasi Sonata
Liszt’s dramatic “Dante Sonata” transforms visions from Dante’s Divine Comedy into a monumental pianistic journey from inferno to transcendence.

Zhao Zhang: Hua Yi Dance for Piano Four-Hands (2014)
Joined by distinguished pianist and cultural leader Yimiao Fang, Ma closes the recital with Zhao’s exuberant four-hands work inspired by the rhythms and spirit of the Yi ethnic traditions of China.

ABOUT CHENGCHENG MA

Praised by Fanfare Magazine for his “superlative” artistry, “exquisitely blended sonority,” and “beautiful, moving” interpretations, pianist Chengcheng Ma has emerged as a compelling voice in both classical and contemporary music. A student of renowned pianist Boaz Sharon, Ma has performed concertos with major orchestras including Sinfonia da Camera, Brookline Symphony Orchestra, Boston University Symphony Orchestra, and Hebei Symphony Orchestra.

A committed collaborator with living composers, Ma has premiered works by Ketty Nez, Rodney Lister, and others, and recently recorded 21 choral works for the 2025 album OF MERE BEING (comp. Rodney Lister). His musical interests span classical repertoire, contemporary works, and historically-informed jazz research. More at chengchengma.com.

ABOUT GUEST ARTIST YIMIAO FANG

Pianist, educator, and cultural ambassador Yimiao Fang is Founder and Artistic Director of the Shanghai International Forte Yearly Music Festival and leads both Forte International Group (NYC) and Fym Cultural Media (Nanjing). Her performances—praised for “precision” and “crystalline, heartfelt expression”—have appeared at Carnegie Hall, Shanghai Oriental Art Center, and Harvard University, and she has guided students to major international competition successes.

ABOUT THE COMPOSERS

Ketty Nez, composer and pianist, teaches at Boston University School of Music and is known for her genre-blending works, including The Fiddler and the Old Woman of Rumelia and the piano concerto thresholds.
Rodney Lister, composer, pianist, and scholar, has been supported by leading foundations, and his works have been performed at Tanglewood, the Library of Congress, and international festivals.
Zhao Zhang, one of China’s most prominent contemporary composers, integrates ethnic influences with modern craftsmanship; his works are published by Schott and performed worldwide.

ABOUT FORTE INTERNATIONAL GROUP (NEW YORK CITY)

Forte International Group is a global cultural enterprise dedicated to fostering artistic exchange between China and the United States. Through concert production, competitions, and international collaboration, the Group provides transformative opportunities for the next generation of artists and supports a global network of performers, educators, and institutions.

 

Tuesday, November 18 at 7:30 PM
Merkin Hall, Kaufman Music Center
Presented by Hahnsol Music Group

New York, NY — Experience a powerful evening of music as Orchestra for People presents Azarashvili, Mozart and Elgar on Tuesday, November 18, 2025 at 7:30 PM at NYC’s Merkin Hall. Under the baton of conductor Hahnsol Kim, the program introduces a vibrant dialogue between Georgian and European masterworks, featuring acclaimed soloists Sandro Sidamonidze (cello) and Sam Boutris (clarinet) in a bold and moving lineup that bridges centuries and continents.

A highlight of the evening is the U.S. Premiere of Vaja Azarashvili’s Cello Concerto, performed by Sandro Sidamonidze. This concert introduces American audiences to one of Georgia’s most significant contemporary voices, music noted for lyricism, clarity, and emotional depth. Also featured are Mozart’s iconic Clarinet Concerto with Sam Boutris, the dramatic Symphony No. 40, and Edward Elgar’s virtuosic Introduction and Allegro for Strings.

The performance takes place at Merkin Hall, 129 West 67th Street, New York, NY. Tickets are $25, with discounted $15 student tickets available by calling the box office at 212-501-3330. Visit www.kaufmanmusiccenter.org for tickets.

Complete Program:

VAJA AZARASHVILI – Cello Concerto (U.S. Premiere)
W.A. MOZART – Clarinet Concerto in A Major, K. 622
Intermission
W.A. MOZART – Symphony No. 40 in G Minor, K. 550
EDWARD ELGAR – Introduction and Allegro for Strings, Op. 47

 

According to Hahnsol Kim, Founder of Orchestra for People: “This program beautifully captures what we hope to share with our audience as musicians. From the U.S. premiere of Azarashvili’s Cello Concerto to Mozart’s beloved Clarinet Concerto and symphony number 40, cherished by listeners for generations, it reflects what we value most at Orchestra For People: giving voice to music and musicians who deserve to be heard. With Azarashvili’s concerto performed in the U.S. for the first time, this concert celebrates the artistry of remarkable young musicians whose voices should resonate far beyond the stage.”