Now online is The Making of Tremün, a free-to-watch documentary showcasing the behind-the-scenes production of Tremün: Celebrating Indigenous Roots — a concert like no other at Carnegie Hall (the concert itself is held on Friday, October 15th, 2021 at 8pm.)

Directed by Chilean-born and New York-based filmmaker Nicole Costa, this 20-min. short film follows the journey and heart of the upcoming Tremün concert.

Click to watch the full-length documentary for free on YouTube

Touching on the music, poetry, birdsong, and the endorsed and active celebration of Indigenous Chilean culture, the film features captivating and multifaceted interviews with Tremün’s artists and their involvement in creating this platform for BIPOC artists.

Below is an introductory clip to the film:

You can also watch the whole film for free by clicking here.

Tremün: Celebrating Indigenous Roots is Notes For Growth Foundation’s debut concert at Carnegie Hall’s Weill Recital Hall in New York City.

Tremün means “growth” in Mapudungun, the language of native Chilean people known as the Mapuche, and this concert is a celebration of music by and inspired by Indigenous peoples around the world including Peru, Mexico, Jamaica, and Chile. This program is poised to amplify the powerful words and voices of Tremün’s collaborators to a new audience in New York City.

We understand that artists have limited budgets and that devoting money to publicity and promotion is sometimes a tough choice. In the spirit of transparency and pride, here are some recent media placements from 2020-2021. Even though it has been a tough few years for the arts, we are still successfully landing high profile media placements for our clients. See below, enjoy, and join us in celebrating our clients’ accomplishments. Feel free to reach out with any questions.

-Founder, Peter McDowell

Fabio Banegas
(feat. George Takei)
Bottiroli Piano Works (Complete), Vol. 2 · Nocturnes

※ James Wegg Review (★★★★) / 5

Argentinian composer [Bottiroli] deserves a wider audience. […]Thanks to his championing by gifted pianist Fabio Banegas, the world can come to its own conclusions about the output of this late-inning romanticist. […]Banegas delicately balances it all

Cinemusical (★★★★) / 4 — Steven A. Kennedy
Banegas is an excellent interpreter of these works and has been a dedicatee of the Six Album Pieces. It would seem his skill would be equally adept at other earlier 20th Century Impressionist composers and perhaps he will turn his attention there once he has completed recording the works of Bottiroli. What we have here though is a fine collection of colorful, relaxing works for piano that may entice listeners to continue to join him on these explorations of this Argentinian composer.

The album also was also kindly featured and embraced by the Star Trek community, with shoutouts from both Roddenberry and Daily Star Trek News — the latter of whom featured the album on their podcast.

Additionally, Peter McDowell hosted a highly successful Q&A session with Fabio Banegas; and the album has been the subject of much Argentinean press, and has been included in various music libraries internationally, notably by BBC Radio 3’s In Tune and All Classical Portland.

Sons of the Never Wrong
Undertaker’s Songbook


Aiding & Abetting — Jon Worley
This album is informed by the experiences of the band, but it’s not about any particular place in time. That timelessness is what raises these songs to something approaching spectacular. Sometimes experience is everything.
Midwest Record — Chris Spector
If you think you know this group their 30th anni disc will change your mind about that. Still mining the quirky vein, they have a whole different sound and vibe going on here with an almost dark, spiritual overtone underpinning the proceedings. Pulling folk in to the future, they’re still singer/songwriters at the core but this outing sets new standards easily that others will want to follow. Some real grown up music for real grown ups.
Sons has also received the attention of New City with Robert Rodi (who dubbed the album “incandescent“), and of multi-disciplinary musician Michael Miles, who wrote a kind reflection/essay on the group and the album.
The album has been a bit of a runaway success on folk stations around the world, with multiple plays on programs like WFMT’s Midnight Special, WNUR’s Folk Show, WGDR’s Acoustic Harmonyand New Zealand’s Radio Kidnappers’ Folk on Sunday.

Fides Krucker + Tim Motzer

Make Weird Music — Anthony Garone
This is one of the strangest albums I’ve heard in a while. Tim Motzer and Fides Krucker have really created something indescribable with this improvisatory composition release. […] I am blown away at Fides’ total spiritual and vocal freedom. It is clear that her body and mind do not inhibit her ability to express herself. That’s really the magic of this album.
Gaesteliste — Ullrich Maurer
On this first album together, Krucker and Motzer dare to use the principle of instant composing. [..] In this case, it manifests itself in such a way that guitar sounds do not necessarily sound like guitar sounds and all vocal contributions are non-verbal. […] The results are stylistically beyond, onomatopoeic ambient tracks that were conceived as “Sonic Films”, which most closely resemble the more elegiac compositions.”
The album and artists were the subjects of several features, including articles by Esthetic LensVents Magazine, and the highly respected Fifteen Questions, where Krucker talked at length about her remarkable vocal artistry.
The album also received pre-release acknowledgments from the likes of Whole Note (calling it “melodically lush“) and All About Jazz; and has been included in the libraries of the Canadian Music Centre, the University of Alberta, and the CBC.

Jeremy Siskind
Perpetual Motion Etudes
for Piano

James Wegg Review (★★★★½) / 5
“Perpetual Motion Etudes for Piano more than lives up to its name with nine distinct studies that travel with a seemingly endless flow of creativity—ever at rest until every excursion’s double bar is reached. […] The master’s brush can be heard and felt in [pieces like] “Van Gogh’s Dream.” […] Who could ask for anything more?
American Teacher Music Magazine Leonidas Lagrimas
Challenging, yet accessible, with polyrhythms and thickly textured voicings serving as the main [exploration] […] A gem of the new decade.”

Siskind received several shoutouts during his album campaign, from both Downbeat and WBGO lending their support to his livestream shows (in lieu of the pandemically delayed Carnegie Hall performance and world tour), to the late, venerable jazz critic W. Royal Stokes saying it was “a pleasure to listen to.”

Siskind was also the subject of several interviews, including NeonJazz, and celebrated jazz writers Raul da Gama and Debbie Burke. The album is also in the libraries of MPR, WPR, KQAC, and KCRW.

David Claman

Sound Word Sight — James Farmingdale

“[A] wide and wonderful variety of compositions on [this] superbly recorded Albany Records CD. […] Claman has given us gems. […] I would strongly recommend Gradus to anyone who cares about new musics in all its contemporary forms.

Gapplegate Classical-Modern Music Review — Grego A. Edwards

So relevant poetic and depictive spoken and sung texts mingle with tonal drone and primal tonality, very Post-Romantic, Indian and adagio expressiveness, shifting ratio temporality, in a very stimulating and fascinatingly contrasting program that exudes a lyricality without the trappings of sentimentality and so sounding futuristic in its own way, in an aurally singular way. […] Claman has his own stylistic parameters and they are very nice to ponder. Bravo! Do hear this one.

Claman was also featured in interviews with Vents Magazine and Florida International University’s Listening Closely podcast and seminar. Moreover, noted New Music composer James Ricci lent a testimonial stating that, “As an informed contemporary composer of our global age, [Claman] draws inspiration from many aspects of culture, history, and style – but with respect, integrity, and a deep understanding of the intricacies that form the basis of music as a unique vehicle of human communication.  The roster of musicians on this album is impressive.  This is a fine collection of interesting and compelling works.

Gradus is in the collection of various academic libraries, including the Hollins Univeristy, Tufts College, Lehman College, and Toronto Public Library; and has been championed by forward-thinking radio stations like WRUV in Vermont.

Questions?, please email us!

Composer David Claman has released a fascinating and eclectic collection of exceptionally diverse works on his new album – aptly titled – “Gradus.”  His musical explorations take us through a broad range of artistic expression and diverse sonic experiences.

As an informed contemporary composer of our global age, he draws inspiration from many aspects of culture, history, and style – but with respect, integrity, and a deep understanding of the intricacies that form the basis of music as a unique vehicle of human communication.

The roster of musicians on this album is impressive.  This is a fine collection of interesting and compelling works.

James Ricci, composer

Gradus is David Claman’s new Albany Records release: a varicolored collection of his repertoire, joined by world class figures in classical, Indian, and experimental music.

Between music that sends you on a journey of textures, styles, and with support from places like SoundWordSight, Vents Magazineand kind support from industry colleagues, Gradus is surely an album worth your attention.

Meet just some of the musicians that contributed their talents to Claman’s vision below:

STEVE MACKEY – a GRAMMY Award® winner, lauded by Gramophone for his “explosive and ethereal imagination” – is regarded as one of the leading composers of his generation, with compositions ranging from orchestral and chamber music to dance and opera. Born in 1956 to American parents stationed in Frankfurt, Germany, his first musical passion was playing the electric guitar in rock bands based in northern California. He blazed a trail in the 1980s and ‘90s by including the electric guitar and vernacular music influences in his classical concert music. He regularly performs his own work, including three electric guitar concertos and numerous solo and chamber works. He is also active as an improvising musician, and performs regularly with his band Big Farm.

Loose Canons features guitars from Mackey, Mark Zaki and Matthew Wuolle.

New York City native OREN FADER is highly regarded as a performer of classical and electric guitar repertoire, from Bach to Babbitt. For the last 30 years, he has performed around the globe to critical acclaim, both as soloist and chamber musician.

In addition to performing as a soloist, Mr. Fader is much in demand as a New York City chamber musician. He has performed hundreds of concerts with a wide range of classical and new music groups, including the Met Chamber Ensemble (directed by James Levine), New York City Opera, New York Philharmonic, New York City Ballet, Mark Morris Dance Group, Saint Paul Chamber Orchestra, New World Symphony, and many others.

Guitar by Fader, cello by Susannah Chapman, violin by Calvin Wiersma, mandolin from William Anderson, vocals by Jessica Bowers and Elizabeth Farnum, and lyrics by Dr. A. Dasarathan

Praised by the New York Times for her “honeyed tone”, ELIZABETH FARNUM is one of the world’s most highly sought-after vocalists in the field of modern music. Widely known for her high level of musicianship, versatility and range, she has performed in several genres and has toured throughout the United States, Europe, Japan and Australia with a number of varied ensembles.

For the past 15 years, Elizabeth has specialized in modern music, for which she is world-renowned. She has performed in venues such as Lincoln Center, Alice Tully Hall, London’s Institute for Contemporary Art, the American Academy at Rome, the Concertgebouw in Amsterdam and the Library of Congress, collaborating with such composers as Samuel Adler, Ricky Ian Gordon, John Harbison, Peter Schickele, Charles Wuorinen and John Zorn. She has appeared as a guest soloist with many prominent modern music ensembles throughout the U.S. and Europe. A prolific studio artist, Elizabeth has been featured on over 30 recordings, four of which were nominated for Grammy awards, on such labels as DeutscheGrammophon/Archiv, Delos, Bis, Naxos and Koch.

With vocals by Farnum, piano by John McDonald, and poetry by David Ignatow.


FATHER PAUL POOVATHINGAL, popularly known as ‘Paadum Paathiri’, disciple of Padmabhushan Dr. K. J. Yesudas and Chandramana Narayanan Namboothiri, is an ordained priest in the congregation of Carmalites of Mary Immaculate, a religious order founded by blessed Cyriac Elias Chavara. He is the first Christian Priest who has completed Ph.D. in Karnatic music in India. He has shown great aptitude in music right from his childhood. Though he was initiated into Karnatic music at the age 17 by Sodharan Bhagavathar, it is only after his priestly studies that he started learning Karnatic music seriously. Nevertheless, during his studies in philosophy and theology at Dharmaram College, Bangalore, he continued his music education under the tutelage of Vidwan Bangalore V. K. Krishnamurthy.

After having graduated in English and Psychology from Christ College Bangalore, in 1992, he joined the Faculty of Music and Fine Arts in Delhi University and passed Sangita Shiromani course (B.A. Music) with first rank and passed M.A. Music with a gold medal. In Delhi, he learned music from Prof. T. R. Subramaniam, Dr. Guruvayoor T. V. Manikandan and Dr. Vasanti Rao.

Poovathingal has composed a number of albums both in Hindi and Malayalam. His compositions include Karnatic music forms such as Kriti, Kirthanam and other popular forms like Bhajans, Hymns, Ballet, National Integration songs and Awareness songs.

with voices from Poovathingal, Deena Abu-Lughod, Stephan Winkler, and Sunita Vatuk.

TARA HELEN O’CONNOR is a charismatic performer noted for her artistic depth, brilliant technique and colorful tone spanning every musical era. Recipient of an Avery Fisher Career Grant, a two-time Grammy nominee and the first wind player chosen to participate in The Bowers Program (formerly CMS Two), she is now a Season Artist of the Chamber Music Society of Lincoln Center. A Wm. S. Haynes flute artist, Tara regularly participates in the Santa Fe Chamber Music Festival, [email protected], Chamber Music Festival of the Bluegrass, Spoleto Festival USA, Chamber Music Northwest, Mainly Mozart Festival, Music from Angel Fire, the Banff Centre, Rockport Music, Bay Chamber Concerts, Manchester Music Festival, the Great Mountains Music Festival, Chesapeake Music Festival and the Bravo! Vail Valley Music Festival.  Along with her husband Daniel Phillips, she is the newly appointed Co-Artstic Director of the Music From Angel Fire Festival in New Mexico.  

Tara is a member of the woodwind quintet Windscape, the legendary Bach Aria Group and is a founding member of the Naumburg Award-winning New Millennium Ensemble. She has premiered hundreds of new works and has collaborated with the Orion String Quartet, St. Lawrence Quartet and Emerson Quartet. Tara has appeared on A&E’s Breakfast for the Arts, Live from Lincoln Center and has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings with the Chamber Music Society of Lincoln Center and Bridge Records.

Tara is Associate Professor of Flute, Head of the Woodwinds Department and the Coordinator of Classical Music Studies at Purchase College School of the Arts Conservatory of Music. Additionally, Tara is on the faculty of Bard College Conservatory of Music, the Contemporary Performance Program at Manhattan School of Music and is a visiting artist, teacher and coach at the Royal Conservatory of Music in Toronto.  She lives with her husband, violinist Daniel Phillips and their two miniature dachshunds, Chloé and Ava on the Upper West Side of Manhattan.

With alto flute by O’Connor and percussion by Ian Rosenbaum

NEW THREAD QUARTET was formed with the mission to develop and perform impactful new music for the saxophone, and to provide high level ensemble playing to feature today’s compositional voices. In 5 seasons, the quartet has commissioned and premiered over 20 new works by composers such as Richard Carrick, Ben Hjertmann, Scott Wollschleger, and Kathryn Salfelder, with recent commissions from Max Grafe and Taylor Brook as part of its annual Explorations concert series.

Based in New York City, NTQ has performed at Carnegie Hall, Roulette, Dance Theatre of Harlem, the Bang on a Can Summer Festival Benefit, Monadnock Music, and the World Saxophone Congress in St. Andrews, Scotland, and has performed or recorded more than 30 important works for saxophone quartet including Kati Agócs’ Hymn on New England Conservatory’s Composer Series at Jordan Hall, a revival of Michael Djupstrom’s 2001 work Test at Arizona State University’s Katzin Concert Hall, and the premiere recording of Elliott Sharp’s seminal work Approaching the Arches of Corti for 4 soprano saxophones, now available on New World Records.

Ensemble members are Geoffrey Landman (soprano saxophone), Kristen McKeon (alto saxophone), Erin Rogers (tenor saxophone) and Zach Herchen (baritone saxophone). NTQ is a presenting partner of Composers Now.

Performed by the New Thread Quartet

On Monday, December 7th, 2020 from 6 to 7:30pm PTFulcrum Arts presents an interactive session with Peter McDowell, going over the basic principles of how to raise money for a project as an individual artist or small artist collective. Peter puts particular emphasis on virtual events, as he has just completely two successful online fundraisers. This is recommended for artists of all kinds, and is particularly relevant during the COVID-19 pandemic.

The event is $5 and is online. Click here to RSVP.

Fulcrum Arts is based in Pasadena, CA, and champions creative and critical thinkers at the intersection of art and science to provoke positive social change and contribute to a more vibrant and inclusive community. They are dedicated to building cultural equity into the very structure and fabric of the organization at all levels ensuring that underrepresented populations and voices are included and heard. Fulcrum Arts supports creative practices that incorporate broader, non-western, and Indigenous traditions that resonate within the nexus of art, science, and social change to expand, define, and further human achievement.

Fulcrum Arts’ Emerge fiscal sponsorship program increases the capacity of independent artists, collectives, and small arts organizations by offering financial management, fundraising consulting, and the ability to seek funding through fiscal sponsorship. Our goal is to provide artists with the necessary tools to create sustainable practices, while allowing them to remain independent, dynamic, and responsive to the shifting social and economic contexts in which they live and work.

For more information, please visit

Peter McDowell is an arts management expert with more than two decades of experience serving artists and organizations at the highest level. Currently Director of Development for American Friends of the Louvre in Los Angeles, he has held leadership positions at Opera America, the Chicago Department of Cultural Affairs, and most recently as managing director of the Grammy-winning ensemble Eighth Blackbird. His firm, Peter McDowell Arts Consulting, offers a wide range of strategic career services for performing artists. As a publicist, Peter has garnered press coverage for his clients in the New York Times, Chicago Tribune, Los Angeles Times, the New Yorker, and many other important outlets.

Peter is in demand as a speaker and workshop leader on diverse topics in career development and arts entrepreneurship. He has been an invited presenter at the Manhattan School of Music, Northwestern School of Music, Eastman School of Music, The Colburn School, Chamber Music America, and the Association of Performing Arts Professionals (APAP). He is also a documentary filmmaker and is currently at work on his full-length feature, Jimmy in Saigon. He is a recently graduated International Fellow from the DeVos Institute of Arts Management at the University of Maryland. He received his undergraduate degree in French from the University of Illinois and his Masters in Business – Arts Administration from the University of Wisconsin.

Hey folks,

I am compiling a list of financial relief resources for classical musicians and others affected by the current situation.

  1. Equal Sound Corona Relief Fund
  2. Covid-19 Freelance Artist Resources
  3. 3Arts emergency resources
  4. Actors fund entertainment assistance program
  5. Chamber Music America resources
  6. American Composers Forum recommended resources
  7. Creative Capital resource list
  8. Parma Recordings resources
  9. Billboard’s Resources (big list!!)
  10. City of Chicago resources
  11. New Music USA Solidarity Fund
  12. City of LA COVID-19 Arts Emergency Relief Fund
  13. Rolling Stone’s explanation of Stimulus package’s help for musicians and artists
  14. Arts for Illinois Relief Fund

More to come soon! Email me with any other additions.