Culture/Demain Recordings announces its newest release: Fryderyk Chopin: The Two Piano Concertos, featuring Edward Auer, Piano, and the Shanghai Quartet with Peter Lloyd, Bass. The CD, which features Chopin’s Concerto in F minor, op. 21 (world premiere recording of Auer’s own arrangement) and Concerto in E minor, op. 11, was recorded in 2010 in honor of the 200th anniversary of Chopin’s birth and is now being commercially released in June, 2012. The recording is now available for purchase at www.edwardauer.com and www.cdbaby.com.

According to pianist Edward Auer: “the original string parts for Chopin’s works for piano and orchestra were printed with alternate versions that could be used for performances with a variety of chamber ensembles, including string groups without winds or brass. We based our performances and the recording on Chopin’s alternate orchestral parts for the E minor concerto, and I arranged the F minor in similar fashion.”

Auer continues, “Chopin wrote these two magnificent concertos when he was only 19 and 20 years old—they are surely among the most youthful compositions to find a place in the permanent concert repertoire. His use of Polish dance genres (Krakowiak and Mazurka) in the final movements and the recitativo section in the middle movement of the F minor concerto are especially noteworthy.”

Edward Auer has long been recognized as a leading interpreter of the works of Chopin. As the first American to win a prize in the prestigious International Chopin Competition in Warsaw, he has returned to Poland for well over 20 concert tours, playing in every major Polish city and with every major orchestra. Auer has played solo recitals and concertos in over 30 countries on five continents, collaborating with such conductors as Zubin Mehta, Charles Dutoit, Herbert Blomstedt, Sergiu Comissiona and Riccardo Chailly. Auer grew up in Los Angeles, where he studied piano with Aube Tzerko, a protégé of Artur Schnabel, and composition with Leonard Stein, a Schoenberg student. A precocious chamber musician and the son of an accomplished amateur violist, he was playing the Mozart piano quartets and the Schumann quintet with his father and his friends at the age of eight. When he was thirteen, the Budapest Quartet heard his trio’s performance of Beethoven and Mendelssohn; Auer later became a frequent participant in chamber music festivals including those in Santa Fe, Seattle, Sitka, Kuhmo (Finland), among many others. Auer’s studies continued at the Juilliard School of Music with Rosina Lhevinne. While in Juilliard he made his New York debut under the auspices of Young Concert Artists. Studies continued on a Fulbright Grant in Paris with Julius Katchen. Auer was a prizewinner in the 1966 Tchaikovsky Competition in Moscow (for which he was invited to the White House), the Beethoven Competition in Vienna and the Queen Elisabeth in Brussels, and took First Prize in the Concours Marguerite Long in Paris. Now, years later, these and other contests regularly invite him to be on their juries. Auer has made a number of acclaimed recordings, many of them of the works of Chopin. He is currently continuing his Chopin series, of which this is the third volume. Edward Auer is on the Piano faculty at Indiana University Bloomington.

Other recordings by Edward Auer on the Culture/Demain label celebrating the Chopin bicentennial, include Nocturnes volume I, and Nocturnes volume II & the four Scherzi.

Renowned for its passionate musicality, the Shanghai Quartet has become one of the world’s foremost chamber ensembles. Formed at the Shanghai Conservatory in 1983, the Shanghai Quartet has worked with the world’s most distinguished artists and regularly tours the major music centers of Europe, North America and Asia. The Quartet, now featuring Weigang Li and Yi-Wen Jiang, violins, Honggang Li, viola, and Nicholas Tzavaras, cello, has appeared at Carnegie Hall’s Isaac Stern Auditorium in chamber performances and with orchestra. They have been regular performers at many of the leading chamber music festivals in North America including Santa Fe and Ottawa. Penderecki’s String Quartet no. 3 was premiered at a special concert in Poland honoring the composer’s 75th birthday, followed by numerous subsequent performances worldwide. They will play it again in Poland for the composer’s 80th birthday celebration in November 2013. The Quartet has a discography of more than 30 recordings. Delos released the Quartet’s most popular disc, Chinasong, in 2003: a collection of Chinese folk songs arranged by Yi-Wen Jiang reflecting his childhood memories of the Cultural Revolution in China. They recorded the complete Beethoven String Quartets for Camerata, a seven-disc project that was completed in 2009. The Shanghai Quartet currently serves as Quartet-in-Residence at Montclair State University in New Jersey, Ensemble-in-Residence with the Shanghai Symphony Orchestra, and visiting guest professors of the Shanghai Conservatory and the Central Conservatory in Beijing. www.shanghaiquartet.com

 


Dynamic and graceful solo percussionist Lisa Pegher (www.lisapegher.com), called “the future of percussion” by the Pittsburgh Post-Gazette, has now joined the roster of Columbia Artists Management, Inc. (CAMI) and will be represented by CAMI Vice President Mark S. Maluso. Booking Inquiries can be made by contacting 212.841.9702 or [email protected].

“I’m always looking for new artistic ways to present percussion to a broader audience,” says Lisa Pegher, “and I’m excited to deepen and broaden my reach in performing as a percussion soloist with orchestras nationally and internationally as well as performing my solo multimedia percussion concerts. I am thrilled about my upcoming association with CAMI.”

Lisa Pegher has been described by the Boston Globe as “forcefully balletic” and by critic Marty Lash of the Door County Advocate as “a gifted passionate artist, with a rock-star aura.” She has been featured in Symphony Magazine as one of the top six performers of her generation and continues to carve a new path for percussion as a solo instrument. As a soloist Lisa has performed with orchestras across the globe including the Louisiana Philharmonic, the Pittsburgh Symphony Orchestra, Asheville Symphony Orchestra, Lansing Orchestra, and Peninsula Festival Orchestra among others. In August 2011 Lisa performed with the Cabrillo Festival of Contemporary Music Orchestra in Santa Cruz, California celebrating Marin Alsop’s twenty year anniversary season. She has also recently performed with the Grand Junction Orchestra in Colorado playing Jennifer Higdon’s Concerto for Percussion and is also performing concerti by Joseph Schwanter, James MacMillan, Kevin Puts and Christopher Rouse. Lisa gave the Wisconsin premiere of Tobias Broström’s Arena Percussion Concerto with the Peninsula Festival Orchestra and recently premiered and recorded Mathew Rosenblum’s Double Concerto for Saxophone and Percussion with the Boston Modern Orchestra Project, Gil Rose and Kenneth Koon. As an advocate of new music, she also recently premiered a new marimba solo by composer Derek Bermel at the Institute for Advanced Studies in Princeton, New Jersey and is currently commissioning a new work from composer Richard Danielpour.

Columbia Artists Management Inc. is an international leader in managing the careers and touring activities of the world’s most prominent performing artists and institutions. Led by Chairman and CEO Ronald A. Wilford and the managing partners of CAMI’s subsidiaries, the company has been on the forefront of performing arts management and production throughout the world for eight decades.

###

Palimpsest-PUG-5.6.10-Ocean-300x200Erica Mott, based in Chicago, is a performer, director, and deviser whose work is particularly inspired by observation of her immediate environment. The recent winner of a Chicago Dancemakers Forum Lab Artist Award, Erica is currently launching into a worldwide schedule of performances and teaching residencies in New York; North Carolina; Malerargues, France; Oaxaca, Mexico; and Skagastrond, Iceland.

Peter McDowell Arts Consulting and HelloARI Design are proud to launch Erica’s new web site which we feel reflects the visual and theatrically compelling nature of Erica’s performance.

Through mask, clown, butoh-inspired movement and site-specific performance, she attempts to capture and heighten the magic, mystery and tragedy in everyday activities and interactions. She endeavors to find universality in these actions and her performance that may be communicated across social, economic, and cultural boundaries.

Thanks to her grant from the Chicago Dancemakers Forum, from June 2010-July 2011, Erica will be developing new choreography based on intensive research into the intersections between objects and dancers’ bodies. Her research will take her to France to work with acclaimed puppetry and spectacle performance company Royal Deluxe and to San Francisco for an ongoing collaboration with choreographer, Sara Shelton Mann. She will continue to research and develop this new work for a premiere in July 2011.

The Chicago Dancemakers Forum is a catalyst for innovation and a means to increase dynamic interaction among Chicago’s dancemakers. The Lab Artist program supports artistic exploration, research, and development that leads to production of a new work, culminating in public performances. The select choreographers are active in their field and developing a distinctive trajectory in their work. They possess the skills and experience to undertake a larger project of extended scale, and the capacity to benefit from an environment of artistic interchange.

lakecelloturned

Innovative Song Cycle Explores Spirituality, Nature, and Gardening

New York City based cellist, vocalist and composer Jody Redhage and her band Fire in July will perform at Boston’s Kaji Aso Studio on Friday, July 23, 2010 at 8 pm. Admission is $10. Kaji Aso Studio is located at 40 Saint Stephen Street in Boston, MA. Phone is (617) 247-1719.

Fire in July is comprised of Jody Redhage, voice & cello; Daisy Press, voice; Alan Ferber, trombone; and Tom Beckham, vibraphone. At this concert, the band will premiere Redhage’s new song cycle “The Spirit of the Garden,” using poetry that explores the nexus of spirituality and nature. The lyrics are from poets from all over the world: French, Japanese, American, and middle eastern–all different traditions that celebrate gardens as an artistic medium and a source for spiritual reflection and inspiration. Kaji Aso Studio itself has been a large source of inspiration behind the song cycle, as Fire in July performed at the Studio in July 2009 and became familiarized with the art institute’s philosophy and worldview. The Studio’s mission statement includes the statement, “The value of nature is stressed as an inspirational and endless source of material” and “Art does not come from art…art comes from life.” The evening offers audience members a chance to experience nature’s inspiration as expressed through music, poetry, the visual arts (painting and watercolor) and through gardening. Before and after the concert the audience is invited to visit Kaji Aso’s own Japanese garden behind the studio and view the paintings and watercolors in the studio’s galleries. Several of the studio’s experts on Haiku will be in attendance and available to discuss their creative processes with the audience.

Called an “adventurous cello songstress” by Time Out NY, cellist, composer, and vocalist Jody Redhage is “a new music dynamo…Redhage is cultivating a repertoire of indie art song that breaches genre boundaries and makes for stirring listening” (MusicWorks Magazine). Redhage has spent the past eight years developing the ability to simultaneously sing and play rhythmically complex and intricate lines. Her passion is setting 20th and 21st century American poetry into art song, and she principally composes for her ensemble Fire in July. Redhage’s compositions meld the detail and finesse of chamber music with the energy and drive of jazz improvisation and more popular genres. With tinges of Medieval chanson and hints of Kurt Weill, Redhage creates a captivating blend of genres that simply comes across as her own unique voice.

Fire in July released their debut album Ancient Star on Sept. 15, 2009. Ancient Star has been called “a real accomplishment, refreshing and enjoyable, music that is exploring and pioneering a new style and doing so with real thought and skill” – George Grella, The Big City. Having begun composing at age 19, Jody studied composition at the University of California Berkeley and cello performance at the Manhattan School of Music. In New York, Jody continued her composition studies with Bang on a Can founder Julia Wolfe. Redhage has performed at venues such as Carnegie Hall, Lincoln Center, Radio City Music Hall, and on NBC, CBS, and ABC. Redhage’s original compositions have also been featured on several NPR stations across the country, including a recent feature of songs from “Ancient Star” on WNYC’s Spinning on Air.

IMG_9365.1jpg

Dylan Rice celebrates the release of his new full-length album, ELECTRIC GRIDS & CONCRETE TOWERS.

Saturday, July 17, 2010, Chicago, IL, Martyrs’ – CD RELEASE SHOW.

Come join Dylan Rice Band at Martyrs’ in Chicago on Saturday, July 17th as they celebrate the release of the long-awaited new album and support programs at the Chicago Alliance Against Sexual Exploitation (CAASE). Jazz chanteuse Grazyna Auguscik will be joining onstage as a special guest.

9:30pm sharp
$10 cover

Dylan Rice Band =
Dylan – vox, gtr
Dave Mendez – lead gtr, backing vox
Matt Ulery – bass
Larry Brown – drums
Grazyna Auguscik – guest vocals

Also on the bill: Milhous and The Greenwoods

Proceeds from the door will go to support programs at the Chicago Alliance Against Sexual Exploitation (CAASE).

Album out now on iTunes, Amazon, CD Baby, and major digital services.